{"id":442,"date":"2019-06-14T14:09:44","date_gmt":"2019-06-14T17:09:44","guid":{"rendered":"https:\/\/constanzaestevan.com\/?page_id=442"},"modified":"2025-03-05T22:38:32","modified_gmt":"2025-03-06T01:38:32","slug":"obras","status":"publish","type":"page","link":"https:\/\/constanzaestevan.com\/en\/obras\/","title":{"rendered":"Obras"},"content":{"rendered":"
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Obras<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Last performance works.<\/p>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Stripsody<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Free version of the work of Cathy Berberian, composed in 1966, with the collaboration of comic book artist Roberto Zamarin.\n
\nIn the first instance it was worked as a soloist, then we made a solo and chorus version with Las O.<\/p>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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We guide the work by taking some reflections in relation to the immaturity and value of the unfinished forms in art and thought. Gombrowicz says \"the more we move away from the Form, the more we submit to its power. Mysterious contradictions, contrasts \"... As Berberian puts in tension, plays and \"deforms the form\" of the conventional ways of the cultured music and of the song understood as \"bel canto\", we intervene this work, originally composed for soloist, taking it to the space, giving place to the body, to a set of sound bodies that also stress and question these traditional modes of music. In this new adaptation of Berberian's work a choir appears that replicates, contradicts, imitates, ignores, entries and exits of the formal codes. We are interested in playing the contradictions between intellectual academic-musical formation and ruptures-deformations in voices and bodies.<\/p>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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From humor, irony in dialogue with the score as a partner. The composition of this performance, based on the improvisations of Cathy Berberi\u00e1n, allows us to express in a rigorously organized structure a broad palette of sounds based on the technique we explore. In this work we use bodily, organic, animal sounds, with harmonics, we experiment at the ends of the record, we work with percussive, co-vibrating voices and with the experience of sound in its quadraphonic, spatial and enveloping character. The space, mutant surface, place of doubtful geography among the scores, soloist and choir, is configured as a place for a \"sung dancing\" experience where body conformations and deformations are inseparable from the living, unrepeatable and situated sound experience of the voice human in its enormous diversity.\n\n<\/p>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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As\u00ed Sucesivamente<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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As\u00ed Sucesivamente- Las O.\nPerformative work from the text of Samuel Beckett \"Not I\"<\/p>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Thus, it is a chamber work that includes texts and songs in six voices inspired by the Beckett poetic of the fragment, the interrupted and the \"despalabra\". The work constructed from the confluence of languages (theater, music and dance) creates a continuity with the sound line that addresses the text which is also interrupted randomly with fragments of song and sequences of movement, taking here and there some signal or dislocating the direction in an opposite way. <\/p>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\u201cQuien quiera o\u00edr que oiga\u2026\u201d
\nLa obra \u201cas\u00ed sucesivamente\u201d es una obra en expansi\u00f3n con la que trabajamos desde 2016, y que hemos presentado en contextos muy diversos, tales como salas de teatro independiente y oficiales, encuentros, congresos universitarios, contra congresos, festivales de m\u00fasica contempor\u00e1nea, espacios de dialogo con intelectuales y psicoanalistas. De este modo, es un material en que venimos investigando y experimentando transformaciones, preguntas y reflexiones que nos ha permitido desarrollar y fortalecer un abordaje muy singular del cuerpo y la voz en escena que consideramos es una propuesta novedosa en relaci\u00f3n a la producci\u00f3n esc\u00e9nica local.\n<\/p>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Folk Songs\n
\nLuciano Berio<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Omaggio a Berio concert\nTribute to composer Luciano Berio
\nCycle of songs \"Folk Songs\" for solo voice and ensemble: harp, cello, viola, transverse flute, clarinet and percussion. <\/p>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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The songs were performed performatively, seeking to personify both the timbre of the voice and the gestural and expressive body, a different woman for each song. Through the Game with the same element on stage, song after song, we sought to achieve an instantaneous transformation from one woman to another, from one sound landscape to another.<\/p>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n \n\nStage direction and vocal preparation: Clelia Romanutti\n\nGeneral Direction: Boris Alvarado\n\nAssistant director: Hern\u00e1n Morales\n\nInstrumental Ensemble: Natalia J. Corso (Recorder Flute), Romina Genari (Clarinet), Sofia Celiz (Harp), Mar\u00eda Ver\u00f3nica Fernandez (Cello), Roxana Villavicencio and Gregorio Bofelli (Percussion), Alejo Moreno (Viola)\n\nCoordination and logistics: Maria Victoria Asurmendi and Hern\u00e1n Morales <\/p>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Kaani entramando ra\u00edces<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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KAANI, ENtramando Ra\u00edces es una obra integral que fusiona la m\u00fasica- composiciones originales de la cantautora Constanza Estevan- la danza, las artes visuales y la poes\u00eda- en su mayor\u00eda poes\u00edas originales de Yanina Luponio. El eje de la obra es el v\u00ednculo ancestral de la humanidad con la naturaleza, inspirado en las cosmovisiones de los pueblos originarios. \n\u200b<\/p>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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En este trabajo se quiere reflejar c\u00f3mo se mezclan y se amigan entre s\u00ed, la ra\u00edz espa\u00f1ola, el canto criollo, el canto de los pueblos originarios. En esta trama que entrama las ra\u00edces, es posible vislumbrar una s\u00edntesis de culturas que hacen que su voz y su trabajo se vuelvan \u00fanicos, pues se pinta con los tonos y las emociones que esos lugares rememoran desde lo profundo y se hacen vida en el momento actual. De este modo, desde la sabidur\u00eda ancestral originaria- donde todo est\u00e1 entrelazado, somos la tierra, somos el otro, somos el mundo- y mediante el canto y la danza, proponemos conectar los sentires del coraz\u00f3n y la transmisi\u00f3n del esp\u00edritu a trav\u00e9s de la voz y el movimiento. <\/p>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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La voz como huella dactilar de un pueblo y el ritmo musical como fuerza vital que impulsa el movimiento tribal. La obra no s\u00f3lo representa esa mixtura de estas corrientes musicales sino tambi\u00e9n nos representa como seres ligados a una trama de hilos invisibles que entreteje a distintas culturas y tradiciones y, m\u00e1s profundamente, a la humanidad con la naturaleza. <\/p>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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other projects<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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mujer - p\u00e1jaro<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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AveCuerpo<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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espa\u00f1a en sombra de duendes<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Devenir sonido h\u00famedo<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tCoti Estevan junto a Entrama en Tiempos Modernos- CABA\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t24 July, 2023\t\t<\/span>\n\t\t\t\t\n\t\t\t19:13\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tSee event \u2192\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tCoti Estevan presentar\u00e1 su nuevo disco Kaani en La Negrada El Patio de Retumbos- Jun\u00edn\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t24 July, 2023\t\t<\/span>\n\t\t\t\t\n\t\t\t18:59\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tSee event \u2192\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tCoti Estevan presentar\u00e1 su nuevo disco Kaani en Espacio Tucum\u00e1n- CABA\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t24 July, 2023\t\t<\/span>\n\t\t\t\t\n\t\t\t18:43\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tSee event \u2192\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tCoti Estevan presentar\u00e1 su nuevo disco Kaani en Alta Gracia\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t24 July, 2023\t\t<\/span>\n\t\t\t\t\n\t\t\t17:00\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tSee event \u2192\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
\n\t\t\t\t\n\t\t\t
\"\"<\/div>\n\t\t<\/a>\n\t\t\t\t
\n\t\t\t\t

\n\t\t\t\n\t\t\t\tAlfetreque en Espacio Tres51\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t11 October, 2022\t\t<\/span>\n\t\t\t\t\n\t\t\t13:30\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tSee event \u2192\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
\n\t\t\t\t\n\t\t\t
\"\"<\/div>\n\t\t<\/a>\n\t\t\t\t
\n\t\t\t\t

\n\t\t\t\n\t\t\t\tLa Fragua en R\u00edo Ceballos\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t11 October, 2022\t\t<\/span>\n\t\t\t\t\n\t\t\t12:56\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tSee event \u2192\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
\n\t\t\t\t\n\t\t\t
\"\"<\/div>\n\t\t<\/a>\n\t\t\t\t
\n\t\t\t\t

\n\t\t\t\n\t\t\t\tDe tal Palo- De Cort\u00e1zar y otras yerbas\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t26 August, 2022\t\t<\/span>\n\t\t\t\t\n\t\t\t15:31\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tSee event \u2192\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
\n\t\t\t\t\n\t\t\t
\"\"<\/div>\n\t\t<\/a>\n\t\t\t\t
\n\t\t\t\t

\n\t\t\t\n\t\t\t\tAlchaper\u00edo Cantoras\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\t2 March, 2022\t\t<\/span>\n\t\t\t\t\n\t\t\t21:42\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tSee event \u2192\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<\/div>\n\n\n\t\t\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\tAll events<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"
\n\t
\n\t\tWhen:<\/strong>\n\t\t5 March, 2022 @ 21:30 \u2013 7 March, 2022 @ 23:30\n\t<\/div>\n\t\t\t
\n\t\t\tWhere:<\/strong>\n\t\t\tParque Integrador Unquillo\n\t\t<\/div>\n\t<\/div>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-442","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nObras - Constanza Estevan - Official Site<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/constanzaestevan.com\/en\/obras\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Obras - Constanza Estevan - Official Site\" \/>\n<meta property=\"og:description\" content=\"When: 5 March, 2022 @ 21:30 \u2013 7 March, 2022 @ 23:30 Where: Parque Integrador Unquillo\" \/>\n<meta property=\"og:url\" content=\"https:\/\/constanzaestevan.com\/en\/obras\/\" \/>\n<meta property=\"og:site_name\" content=\"Constanza Estevan - 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